Artsweek

November 16, 2020

Music for the End of the World: The Rise of Hyperpop

By Maryo Jajo-Azabo

As the dystopian society mankind has feared for decades becomes more of a reality, pop music shape-shifts once again to assume the form of hyperpop. 

November 15, 2020

In Review: Kylie Minogue’s Victory Lap With “DISCO”

By Sam Franzini

Minogue has reinvented herself once again with “DISCO,” bringing retro sounds to the future.

November 12, 2020

“Six Cents” Podcast: Three UCSB Students Give Their Two Cents on Politics, Sports, Music and the World Around Them

By Sunidhi Sridhar

For those of you who are looking to add a new podcast to your rotation, allow me to introduce you to UC Santa Barbara’s very own “Six Cents.” 

November 8, 2020

Delirium 2020: A Two-Night Virtual Experience Featuring Pete Davidson

By Joshen Mantai

This year amidst the COVID-19 pandemic, UC Santa Barbara’s Associated Students program board moved its annual Halloween concert Delirium online and adapted it into a two-night entertainment fest. 

November 4, 2020

In Review: Tomberlin’s Musical Craft Projects in Her Latest EP

By Shereen Mohammadzadeh

The EP may be disappointing for those seeking pioneering melodies, but it does not fall short of sophistication or sincerity. 

November 3, 2020

In Review: “Positions” Is The Return of Classic — Albeit More Sultry — Ariana

By Joshen Mantai

“Positions” proves itself to be a succinct 41-minute album that is a strong resurgence of classic Grande, in all of her textural and high soaring vocals.

November 1, 2020

In Review: “Featuring Ty Dolla $ign” Proves Ty $ is More than a Background Artist

By Carrieanne Mamba

"Featuring Ty Dolla $ign" is undoubtedly an album to vibe to, a concoction of catchy songs that are short enough to leave you craving the next, but long enough to make you appreciate Ty’s mastery.

October 31, 2020

The Best Family-Friendly Halloween Movies For This Year’s Spooky Season

By Artsweek Staff

Here are some staff recommendations for Halloween classics that the whole family can enjoy! 

October 31, 2020

Tracks of the Month: October 2020

By Artsweek Staff

Here's a list of Artsweek's favorite new tracks from October 2020!

October 25, 2020

Defeating Fear With Laughter: “The Great Dictator” in a Modern Context

By Jonathan Kim

Associate Professor Maggie Hennefeld, from the University of Minnesota, invited UCSB students for a Zoom discussion as part of the Carsey-Wolf Center’s ongoing series on subversive cinema.

October 21, 2020

Record Recap: In Memoriam of Eddie Van Halen

By Jadon Bienz, Evan Gonzalez

Eddie Van Halen was not only one of the most innovative and unique guitarists of all time, but a musical inventor and a pioneer in guitar construction and technology.

October 19, 2020

In Review: Is “Emily in Paris” Binge-Worthy or Cringe-Worthy?

By Tam Le

Overall, “Emily in Paris” falls very short of becoming an iconic series and instead is more like a dollar store’s “Gossip Girl.” That being said, it was difficult to stop watching.

October 12, 2020

In Review: Róisín Murphy Tells Her Own Story on “Róisín Machine”

By Sam Franzini

On “Róisín Machine,” the music is stripped back and drawn out, but still has the essence of her personality through these slow disco and house anthems.

October 8, 2020

In Review: “Savage Mode 2” by 21 Savage and Metro Boomin

By Aayush Dixit

“Savage Mode II” finally arrived last Friday, and both Metro Boomin and 21 Savage delivered a gritty, dark and menacing project that exceeded the original.

October 7, 2020

In Review: Joji Nuances His Sad Boi Style on “Nectar”

By Jadon Bienz, Evan Gonzalez

On his latest album “Nectar,” Joji expands his sonic range, simultaneously embracing his lo-fi sound as well as including a more diverse musical palette.

September 28, 2020

In Review: “I’m Thinking of Ending Things”—I’m Thinking I Need to Watch This Again

By Liliana Linan

From the beginning, the film fulfills its dark and cerebral labels, and though not quite a horror movie, the cinematography contains elements of new wave horror films.