Artsweek

November 4, 2020

In Review: Tomberlin’s Musical Craft Projects in Her Latest EP

By Shereen Mohammadzadeh

The EP may be disappointing for those seeking pioneering melodies, but it does not fall short of sophistication or sincerity.

November 3, 2020

In Review: “Positions” Is The Return of Classic — Albeit More Sultry — Ariana

By Joshen Mantai

“Positions” proves itself to be a succinct 41-minute album that is a strong resurgence of classic Grande, in all of her textural and high soaring vocals.

November 1, 2020

In Review: “Featuring Ty Dolla $ign” Proves Ty $ is More than a Background Artist

By Carrieanne Mamba

"Featuring Ty Dolla $ign" is undoubtedly an album to vibe to, a concoction of catchy songs that are short enough to leave you craving the next, but long enough to make you appreciate Ty’s mastery.

October 31, 2020

The Best Family-Friendly Halloween Movies For This Year’s Spooky Season

By Artsweek Staff

Here are some staff recommendations for Halloween classics that the whole family can enjoy!

October 31, 2020

Tracks of the Month: October 2020

By Artsweek Staff

Here's a list of Artsweek's favorite new tracks from October 2020!

October 25, 2020

Defeating Fear With Laughter: “The Great Dictator” in a Modern Context

By Jonathan Kim

Associate Professor Maggie Hennefeld, from the University of Minnesota, invited UCSB students for a Zoom discussion as part of the Carsey-Wolf Center’s ongoing series on subversive cinema.

October 21, 2020

Record Recap: In Memoriam of Eddie Van Halen

By Jadon Bienz, Evan Gonzalez

Eddie Van Halen was not only one of the most innovative and unique guitarists of all time, but a musical inventor and a pioneer in guitar construction and technology.

October 19, 2020

In Review: Is “Emily in Paris” Binge-Worthy or Cringe-Worthy?

By Tam Le

Overall, “Emily in Paris” falls very short of becoming an iconic series and instead is more like a dollar store’s “Gossip Girl.” That being said, it was difficult to stop watching.

October 12, 2020

In Review: Róisín Murphy Tells Her Own Story on “Róisín Machine”

By Sam Franzini

On “Róisín Machine,” the music is stripped back and drawn out, but still has the essence of her personality through these slow disco and house anthems.

October 8, 2020

In Review: “Savage Mode 2” by 21 Savage and Metro Boomin

By Aayush Dixit

“Savage Mode II” finally arrived last Friday, and both Metro Boomin and 21 Savage delivered a gritty, dark and menacing project that exceeded the original.

October 7, 2020

In Review: Joji Nuances His Sad Boi Style on “Nectar”

By Jadon Bienz, Evan Gonzalez

On his latest album “Nectar,” Joji expands his sonic range, simultaneously embracing his lo-fi sound as well as including a more diverse musical palette.

September 28, 2020

In Review: “I’m Thinking of Ending Things”—I’m Thinking I Need to Watch This Again

By Liliana Linan

From the beginning, the film fulfills its dark and cerebral labels, and though not quite a horror movie, the cinematography contains elements of new wave horror films.

September 23, 2020

Highlighting Nature’s Beauty, UCSB Student Alex Funk Shares His Art To Raise Money for Charity

By Sunidhi Sridhar

Inspired by the natural beauty of Santa Barbara and saddened by the onslaught of tragedies in recent months, Funk wants to help his community through his art.

September 18, 2020

In Review: NIKI Offers Glimmers of Magic on “MOONCHILD”

By Jadon Bienz

NIKI steers her debut album “MOONCHILD” in a grandiose cinematic direction, creating a mixture of breathtaking but ultimately incohesive moments.

September 15, 2020

The Baddest Bitch in Town: Bretman Rock

By Liliana Linan

Instead of coming off like a disconnected interview, Bretman Rock’s openness and vibrant energy made the event feel like a FaceTime call with your best friend.