Artsweek

February 12, 2019

Future Ushers in an Aura of Nostalgia

By Nikki Sami

Over time artists change, but Future has proven with yet another album that no one can change him or his music.

February 7, 2019

A Word With Careless Cub on ‘Flophouse Palace’

By Kristina Valencia

The release of Flophouse Palace stands out not merely for its musical elements but also for the production and sound quality of the tracks.

February 7, 2019

An I.V. Band to Watch: Noise Complaint

By Ryan Yates

Noise Complaint is uniquely their own, and they make sure you know it as they grind out every set list with a grit that belongs to the pros.

January 27, 2019

In Photos: Dreamville’s Bas

By Daily Nexus Photography

This past Friday, Dreamville's very own Bas threw down a soulful, passionate, and electrifying show at Santa Barbara’s Velvet Jones, courtesy of ENT Legends.

January 24, 2019

Beatlemania Hits Pollock Theater

By Kristina Valencia

Most recently, Pollock showed “A Hard Day’s Night,” and Beatles fans of all ages made an appearance to the sold-out screening.

January 24, 2019

Fleetwood Mac Was All but Disappointing at the Forum

By Melody Pezeshkian

The whole show was not only beautiful but also wondrous and dreamlike — from the moment the whole band started to the end, there was not one moment of lull.

January 23, 2019

In Review: ‘Some Rap Songs’ by Earl Sweatshirt

By Konrad Neithercutt

Some Rap Songs is as straightforward a project as its title suggests, but not in the way you would think.

January 17, 2019

‘Dissect’ Is the Music Podcast We All Needed

By Zoe Jones

Artsweek interviewed the host of the Spotify Original Podcast, Cole Cuchna, on passion projects, white discourse around black music and his own creative process when writing episodes for the show.

January 16, 2019

‘Vice’ Puts Dick Cheney On the Silver Screen

By Hannah Jackson

“Vice” is a far cry from any other biopic of the time period, and, quite frankly, should not be compared to other dramatizations of political events or careers.

January 10, 2019

Artsweek’s Ten Favorite Albums of 2018

By Antonio Morales

In 2018, artists broke down their own personal barriers to share full-length declarations of love, loss and struggle – showing both depth and versatility.

December 4, 2018

In Review: Noir by Smino

By Neha Makkapati

Although new Smino listeners may be unimpressed by the uncanny composition of different types of music, the stylistic choices Smino made represents the mastery of his understanding of hip-hop and the desire to express hi...

November 30, 2018

Tracks of the Month: November 2018

By William Emmons

Every month, Artsweek collects a handful of newly released tracks that highlight the best musical moments of the past 30 days. Check out some of the hottest cuts released in November 2018.

November 28, 2018

Tune Into ‘FM!’, Vince Staples’ Newest Project

By Jasmine Benafghoul

Despite claiming that FM! lacks any particular concept, the illusion of an afternoon radio station makes this album unique, and certainly leaves the listeners tuned in.

November 28, 2018

Artist to Watch: Ravyn Lenae

By Jasmine Rodriguez

The ascension into stardom coupled with the bold outline of her name on a festival lineup is on the horizon in 2019 for the powerhouse that is Ravyn Lenae.

November 14, 2018

Camp Flog Gnaw 2018: A Festival for Misfits

By Antonio Morales

On the seventh year of Camp Flog Gnaw's illustrious run, Tyler has taken the monumental Dodger Stadium and transformed it into a ballpark for misfits with a stacked lineup of prominent artists.

November 12, 2018

Azizi Gibson Electrifies Velvet Jones

By Melody Pezeshkian

Though his set was brief, his performance was packed with energy and enthusiasm. The venue itself is probably what contributed to the overall enjoyment of the concert.