You Can’t Look Away From “Tiger King’’
Tweets, memes and uppity think pieces alike all have their own takes on this absolute madhouse of a show.
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Artsweek
Tweets, memes and uppity think pieces alike all have their own takes on this absolute madhouse of a show.
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On “Future Nostalgia," Lipa carefully constructs her sound around ‘80s pop and brings it to the present, embracing retro trends while putting a fresh perspective on them.
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New listeners can revel in a melancholic sound that they may not be familiar with yet, and long-time fans can take comfort in the fact that The Weeknd has not really lost sight of who he is after all.
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In need of good television and entertainment while you’re stuck at home during this global pandemic? Well, look no further.
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To a generation that greatly values authenticity, Davidson’s voice may very well be one of the more sane ones to rise up.
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Lady Gaga has returned after a four-year gap since her last studio album with a new hyper-addictive track, “Stupid Love."
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Recently, White Reaper, a Kentucky-based quintet rock band, headlined a concert at SOhO Restaurant & Music Club downtown along with supporting acts The Aquadolls and Native Sun.
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It’s better late than never for Netflix to finally release an “All the Bright Places” screen adaptation.
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Zack Fox packed I.V. Theater last Wednesday night at UC Santa Barbara as crowds arrived early and waited excitedly for Fox to bring a pre-dead week treat of laughter.
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“Portrait of a Lady on Fire” is a poignant, brilliantly realized story about love. But more specifically, it is a beautiful meditation on the memory of love.
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Bad Bunny, who grew up with aspirations to become the Daddy Yankee of his time, has undeniably altered the landscape of the genre with his commitment to stay true to his craft.
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Yung Fuzz, Pretty Cheeky, Closeout and Tastegood all showed up to The Hub last Thursday to prove themselves as worthy contenders among the long list of other prestigious bands in town.
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In “Miss Anthropocene,” Grimes explores the consequences of the pursuit of art by personifying her self-destructive tendencies.
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Recently, poet, author and editor Claudia Rankine brought her insights on the relationship between creativity and racial projects to a discussion at UCSB's Corwin Pavilion.
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