Artsweek’s Ten Favorite Albums of 2018
In 2018, artists broke down their own personal barriers to share full-length declarations of love, loss and struggle – showing both depth
and versatility.
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In 2018, artists broke down their own personal barriers to share full-length declarations of love, loss and struggle – showing both depth
and versatility.
read more
On the seventh year of Camp Flog Gnaw's illustrious run, Tyler has taken the monumental Dodger Stadium and transformed it into a ballpark for misfits with a stacked lineup of prominent artists.
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“Halloween” having yet another sequel at this point kind of just sounds like having another “Paranormal Activity.”
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The film itself is anything but stuffy pompous filmmaking –– it breathes with a cartoonish elegance that triggers relieving enthusiasm. “Sorry To Bother You” mimiks the message which its prede...
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By the end of the night, LCD Soundsystem had proven that my expectations paled in comparison to what was to come.
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This year, Extravaganza will be on Sunday, May 20 at 1:00 p.m.
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Jane Gottlieb takes conventional photography one step further in order to intensify the colorful world she creates.
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Isolation captures Kali Uchis’ relentless ability to venture into an amalgamation of different musical domains.
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“Isle of Dogs,” serves as a reflection of Anderson’s inquisitive perspective of the world. The simplicity of the ideas which linger throughout his mind are brought to light on the big screen and...
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On Stone Woman, Wilson takes listeners through a path filled with discovery of self-worth and desire to fulfill impulses for love.
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In Crush, Steve Lacy and Ravyn Lenae travel together through lingering compositions, unraveling one another’s potential as musicians.
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“Tu y yo bailamos, con mucho vigor.” The words rolled off smoothly as del Pilar strummed the strings of her ukulele. The passion from her high-pitched vocals resonated throughout the room.
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There was a unique array of sounds infused throughout the venue as the six-person group began their set for the night.
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Few people watched as Tyson Leonard, the violinist and founder of the band Tropo, a man in a simple black T-shirt holding a violin, made his way onto the stage. Although Tropo was originally a one-man...
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