Tracks of the Month: January 2018
Every month, Artsweek’s staff collects a handful of newly released tracks that highlight the best musical moments of the past 30 days. January was chock-full of hits from a variety of genres.
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Music

Every month, Artsweek’s staff collects a handful of newly released tracks that highlight the best musical moments of the past 30 days. January was chock-full of hits from a variety of genres.
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From the very first notes, Taksim captured the attention of the entire audience. Feet tapped softly in the aisles to the percussion, and heads rocked steadily to the strong sax solos.
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On the heels of Espresso’s lively set, Washington-based Arrington de Dionyso astonished the audience with his ability to emphasize the minimal instrumentation flowing from the drums and the saxophon...
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The rapper’s words rebound off the bouncing melodies of each track in a way that keeps the album’s sonic momentum moving at a steady yet nonchalant pace.
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Throughout the conversation, the rapper opens up about his third studio album and provides insight into his creative process.
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Everyone watching the Isla Vista music scene, myself included, can’t wait to see what these bands are going to do.
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Brockhampton just doesn’t stop. Their first three albums sound like no one else’s, and all of them are among the best rap albums of 2017, so Brockhampton may not remain on the periphery of mainstr...
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The advent of music editing technology has made the process of recording easier, slicker and faster — which makes a Beatles-esque creative yield even more achievable. This year, we saw a return to t...
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Saturation is quite possibly my favorite release of the year and proved the group to be a simultaneously experimental and accessible force in today’s music scene. Tracks like “Gold,” “Heat” ...
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SALES creates an amalgamation of indie, dream pop, hip hop and rock to produce something that is otherworldly to the ear. Their hip hop-influenced production backs electric guitar to create a sound th...
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The musical acts, along with the assortment of Mexican cuisine, created a festival culture that resonated among the evolving Latinx culture of Southern California.
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Cheers from the audience roared vivaciously as Tchami began bumping his initial beats shortly before 11 p.m.
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Intimate and sleek, “It’s Okay to Cry” is a can’t-miss pop song. The singer/songwriter/producer’s first solo venture in two years is accompanied by a stunning video in which she uncharacteri...
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Hopefully, these creepy selections can help you get in a festive mood as you prepare for the spookiest night of the year.
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As some of the best things in life, Marshall’s voice is somewhat of an acquired taste. Its abundant richness can be overwhelming to the unaccustomed listener, but the low register and thick South Lo...
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