In Review: Tove Lo Continues Her Winning Streak With “No One Dies From Love”
Based on “No One Dies From Love,” her upcoming record is likely to fit perfectly into her already solid discography.
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Music
Based on “No One Dies From Love,” her upcoming record is likely to fit perfectly into her already solid discography.
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When he joins forces with production masters like Skrillex, fine-tuned vocalists like twigs and his classic squad of Swedes, Lean shows that he has no reason to be humble.
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Australian band King Gizzard & the Lizard Wizard brought their mind-altering brand of psychedelic rock to the Arlington Theatre in downtown Santa Barbara.
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With Banks’ era of immense change and suffering behind her, the growing pains of “Serpentina” — er, shedding pains? — are mostly understandable.
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“CRASH” is an album swerving in the direction of current pop sounds. The result is an album that veers off-course sometimes but ultimately has Charli in the driver’s seat, pedal to the metal.
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Alternative musical duo Beach House awakens after the longest break in their entire 15-year discography with their eighth studio album, “Once Twice Melody.”
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Mitski has just released her sixth studio album, “Laurel Hell,” but don’t get confused. It is by no means “Sad Girl Season.”
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Here are Artsweek writer Lorna Kruesel’s most anticipated albums of 2022!
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“Brightside” is an ode to the love stories from all walks of life, and all the poignant and wistful pain that accompanies them.
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Earl Sweatshirt’s new album “SICK!” is nothing short of greatness.
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The Weeknd’s ambitions to bend genres and explore new sonic territories within his own paracosm results in a record that is quite commendable, if not dazzlingly timeless.
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The chapter showcases the band’s versatile ability to stroll between experimentation, love ballads, psychedelia, shoegaze, and ethereal sounds.
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With a newly released album, “SEEING DOUBLE,” Santa Barbara musician THREEZERO is making strides with an ever-evolving sound.
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Lunar Vacation have finally dropped their anticipated full-length debut album, “Inside Every Fig is a Dead Wasp,” which takes their dreamy, layered aesthetic and elevates it to new levels.
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“Red (Taylor’s Version)” is a re-recording of her fourth studio album “Red,” and it’s not surprising that it’s even better than when it first came out.
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