“Survivor: 41” Review: Advantage-geddon Hinders a Likable, Diverse Cast
A year and a half after the end of last year’s mega-season “Winners at War,” a new Sole Survivor has been crowned.
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Film & TV
A year and a half after the end of last year’s mega-season “Winners at War,” a new Sole Survivor has been crowned.
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“The Scary of Sixty-First,” is a psychological thriller that explores the disempowerment that can result from uncovering atrocities as horrific as those committed by Epstein.
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“Tick, Tick… Boom” revitalizes one’s creative nature, validates the idea of pursuing your passion and urges the audience not to give up just yet: There’s more to come.
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Here is Artsweek’s selection of upcoming movie releases you should check out in the coming weeks!
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The show is a slice of life during a week at a beach resort in Hawaii, where a gaggle of rich guests arrive and immediately cause trouble.
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Shyamalan’s fans, as well as moviegoers simply looking for a fun way to spend a fully engrossing 108 minutes, will be pleased.
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The opinions of actual UC Santa Barbara students and I.V. community members have undermined the directors’ “as honest as possible” approach.
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Cinema’s biggest night is once again upon us — here’s everything you need to know about this year’s nominees.
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Following his award-winning performances as Borat in “Borat Subsequent Moviefilm” and Abbie Hoffman in “The Trial of the Chicago 7,” Sacha Baron Cohen was honored with the award.
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After a years-long social media campaign by devoted DC Universe fanboys to #ReleaseTheSnyderCut, director Zack Snyder’s version of 2017’s “Justice League” has finally arrived.
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The award ceremony celebrated four filmmakers who “pushed the boundaries in their storytelling and created films that showcase the art of filmmaking at its best.”
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The tribute, which honors actors who have “the tenacity to forge new ground in their craft,” was in recognition of Mulligan’s electrifying performance in “Promising Young Woman."
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The film follows the lives of those in the Coachella Valley over the course of four seasons, from the farmworkers toiling in the fields to the revelers at the music festival.
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To save us from this reality comes Chloé Zhao’s “Nomadland,” a tale of freedom, empathy and hope — and one that might just be one of this year’s best films.
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Though the Golden Globes wrongly classifies it as a foreign language film, “Minari” is one of the truest contributions to the American storytelling tradition.
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