The energy was already high nearly an hour before Elephante came on, and the Hub filled up quickly for the sold-out show.
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This week, Natalie Noblett takes on Alida Nugent’s in-your-face but wildly fun Don't Worry, It Gets Worse while Allie Graydon reflects on Neil Gaiman's modern rendering of ancient myths in American ...
In a time when the objectification and exploitation of women has increasingly become a popular debate in regards to, well, prominent people in our society, Sarah Jones’s performance felt highly fitt...
At the end of each calendar month, Artsweek takes a look at new tracks that stood out and made a place in our playlists.
“Blackmail” is the perfect film for which Michael Mortilla to compose to. Its challenges in balance, from tone to pace, keep Mortilla’s ever changing melody on its toes.
In present times, artists and activists like Rodriguez are as important and integral to social justice as ever. The rights of many are lost in a state of vulnerability.
For fans of the xx’s previous work, this album keeps their atmospheric instrumentation and their oft-touched themes of love and loneliness.
Genres are, in fact, boxes; they’re compartmentalized for conveniently choosing what we want to consume in a culture constantly flooded with new music. However, some music is best created by challen...
Los Angeles is essentially its own living and breathing character, leading the audience to believe that the film is as extravagant as the city itself.