As part of a collaboration between Isla Vista Compost Collective and St. Michael’s University Church, local artists painted a mural on the collective’s bike shed at the church titled “The Sacredness of the Waters: Salty and Fresh.”

The collaboration between IVCC and St. Michael’s University Church began with the collective looking for a permanent location to carry out its operations. Ewa Zakrzewska / Daily Nexus

The mural is part of I.V. Compost Collective’s (IVCC) efforts to promote a sustainable community through composting, and showcases the Chumash history of environmentalism in Santa Barbara.  

IVCC is a service under Isla Vista Community Services District (IVCSD) that provides free composting services through a food scrap pick-up service for local residents. The program started in 2017 upon being awarded a grant from IVCSD.

Dimitri Kadiev, Rufo Noriega and Joshua Grace painted the mural — using acrylic paints on wood — with assistance from art apprentice and UCSB alumnus Max Roesener and 10 local volunteers.

The village scene depicted in the mural represents an indigenous Chumash village that was situated near the Goleta slough watershed, which once had a central island in the area near Santa Barbara airport, according to IVCC Program Manager and UCSB 2021 alumna Carly Marto.

The collaboration between IVCC and St. Michael’s University Church began with the collective looking for a permanent location to carry out its operations. This search led to an agreement where the collective utilizes the facilities of the St. Michaels University Church for $1 per year. 

“We were trying to find a permanent location to … keep our electric bike in a storage location because we had just received our electric bike in July and just set up camp in a long term space,” Marto said. 

Among the donations for the mural was the bike shed on the church’s property, for which Reverend Scott Claassen found local artists to paint a mural on. 

“Pastor Scott is a very devoted environmentalist,” Marto said. “He has been very supportive of us and very helpful along the way, and I think that is why the mural came to be.” 

“He found these really awesome artists [who came to] paint a mural depicting a … historical representation of environmentalism and taking care of the earth,” she continued. 

Upon the mural’s completion, the church had a Sunday service where they presented the mural’s dedication. 

“Here at the confluence of Chumash history, natural paradise, and harmful settler colonial legacy, we commemorate the powerful public mobilization in response to the 1969 oil spill that catalyzed a global movement of earth justice,” the mural’s dedication states. 

This island provided a home to two large villages, nearing 800 residents at the population’s peak, according to the dedication. 

“This island (called Helo’ or Mescaltitlan) with its two springs provided home to two large villages, at one point nearing 800 people with diverse nutritional sources: abundant oak acorns to process as staple food, small game in the woodlands, and of course seafood in the waters,” the dedication continued. 

However, due to policies implemented during the Mission Era — an era of California missions that forced the conversion of various indigenous peoples to Catholicism — Chumash communities were displaced, and the islands and lands of the Chumash people were irreparably harmed, according to the dedication. 

Deforestation and overgrazing in the 19th century, the leveling of the slough in World War II[[ok]] and the 1969 Santa Barbara oil spill[[ok]] created the land’s current state of ecological imbalance, the dedication said. 

“As the Chumash endure today and pursue balance and harmony in this land, we must ask ourselves about our roles,” the dedication read. “What are our responsibilities to the waters both as individuals and communities? What are our responsibilities to our host people, the Chumash?”

“This mural invites a reconnection to love these lands, examine our callings, and fight for their rights and health once again,” the dedication continued. 

Grace emphasized that the mural reflects the “natural beauty” of Isla Vista, from the local wildlife to the history of the people who have resided in the town. 

“I.V. is a place with a lot of incredible history, and our hope is to reflect the natural beauty of both the landscape and the people,” he said. “When we do murals especially, we [like to] celebrate the local flora and fauna, and hopefully this helps people get to know the place and love the place where they live.”

Beyond painting the nature of Isla Vista, Grace said the mural is also meant to stir conversations of environmental responsibility. 

“On one hand, it’s just hopefully reflecting the natural beauty of the place,” he said. “On the other hand, we hope that it brings up this question of responsibility, both responsibility to the earth and the waters but also responsibility to the Chumash people.” 

Speaking to this responsibility, Grace said he observed the contradictions of Isla Vista when working on the mural. 

“Isla Vista is out of balance,” Grace said. “Ecologically speaking, the slough, —  what was once a paradise just a few hundred years ago — is a toxic waste dump, and you could see how it harms the natural community.”

“We hope that we will pull out some of these contradictions between this beauty and this responsibility [with the mural],” he continued. “But really, this place is paradise.” 

A version of this article appeared on the p.  __ of the April 7 print edition of the Daily Nexus.


Asumi Shuda
Asumi Shuda (they/them) is the Lead News Editor for the 2023-24 school year. Previously, Shuda was the Deputy News Editor, Community Outreach News Editor for the 2022-23 school year and the 2021-22 school year and an Assistant News Editor during the 2020-21 school year. They can be reached at or